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Editor's
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Three
Poems by
Garth Pavell
Her
Pet Mouse Her
pet mouse was
free to roam the
confines of her room. Trapped,
I said, no more than
we are liberated. The
mouse educated itself behind
senile shelves. I stepped closer, waded
through a scarred 18th century Germanic
prayer book. See the similarity, she
said, between faith and fire? I
drank Harp’s Lager in the afterglow. Near
my feet, Noam Chomsky was being interviewed
on a satellite radio rebroadcast admitting
everything’s crazy as the moon’s prisoner
colored eyes just before the escape.
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April
20, 2010
The
hammer hollered insulting praise Deepwater
fishing hunted the maze Till
the lights went out And
all we could see Was
neon fire shaped like a tree Machines
everywhere sighed For
the eleven men who died Like
a shark attack bleeding black Corporate
jaws will soon get sacked But
Exxon, too, rose from the dead With
record dividends Black
was born from red Now
Obama’s speech grits its teeth At
the under-regulated fortunes That
rhyme this song Singing
‘bout country club mentalities That
suddenly want to belong To
a world that sparkles And
salts its steady state of sea Giving
life on earth freedom and liberty The
lesson is clear, we now must steer Toward
the crying sun and wind Heeding
austerity’s mournful cheer
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Just
Then
Van
Gogh swirled a glass of wine, looking
for an idea, an abstraction of particles.. I’ll
paint soup, he said, running into the yard where
the lawless sun had been eating his easel. That
evening he poured paint into the great bowl of
night, stirred the fragrance of the bleary-eyed meadows and
brushed moonlight’s long lost hair. Later
on when Van Gogh was taking out the trash he
noticed the depth of dark shadow swimming on a hillside. The
grass is flowing like a river in love, he said, fetching a pad.
All
night he traced our intermingling heritage, probing flowers,
resuscitating
their keyholes with colorful conversation across
the bendable sphere of our hand me down vision.
The
tide was tied. A miraculous duh thundered down. Inadvertently
coaching future string theorists, Van Gogh’s ingeniously
run of the mill portraits reflected the unreflectable wind,
gasping for air, like punctured parachutes whining ungrammatical
truth, giddily drowning in the not so distance..
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