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Two
Poems by
George Bishop
Jail
Time
Letters
were handwritten, in pencil, recorded on lined paper,
usually yellow—kind of a sick act of innocence.
There’s trying to hide the explanations in
punctuation, hoping the pause can pronounce your deep sigh
and rapid heart- beat. There’s the blank space between
paragraphs you count on your mother, wife or daughter to
fill in with a plan, a parole.
Really. Who in the hell am
I talking to? Here, we don’t even take our own
confessions seriously. Only at lock down do I think about
what I said, remember how I couldn’t seal the
envelope. By bed the jailor’s eyes are full of
erasures, chewing like roaches in a box of old books. The
ink of answers takes time to dry. There’s more jails
than this to go through, some solitary each word must
escape.
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Centennial
Riding
a bus through the country’s version of downtown, speed
bumps where speed has always been locked in a clock, I
scan the rows of second, sometimes third floor windows that
look out from the old hotels along this sketch of Main.
Usually, I’m looking for a curtain that’s barely
separated, maybe some part of a woman’s face, the
inside of her eyes deep in the sidewalk, dark hair hanging
like a haunted forest. Then, I wonder if anyone’s
studying the rows of tinted windows I’m behind, the bus
waiting for a light to change. Inside, I’m going from
door to door, different kinds of loneliness tapping the
English oak just below each peephole. Who is it?— I
make myself hear as we pull away. The next stop is mine where
Dot’s Diner waits—a thick cup of coffee and
something sticky. I’m hoping for my booth to be empty,
the one with an old photo of Main. There’s a woman
leaning out one of the windows I just passed, a parade below
her, a band playing in a pavilion, instruments to their
lips. They’ve been taking my requests for years
now. Nothing to march to. Just a couple songs about going
back, all the vacancies of a different key in my hand,
something beginning to turn.
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